Archive for November, 2010

The Ideal Guitar

November 9, 2010

After playing for a number of years, David Brehm reached a point where he started to imagine his ideal guitar.  It would of course contain the usual combination of features such as a neck, pickups, and strings, but more needed to be had in an order to hold the lofty status of ideal guitar.

Despite countless hours in guitar stores on both coasts, David realized he was not any closer to making a decision and the time had come to call in the experts. He carefully calculated his budget then scurried over to Charley’s Guitar Shop in Dallas to present his dilemma.  Store managers’ Pablo, Brian, and Stephen each weighed in on the discussion.  An hour and a half later David was directed into a special room which held a wall full of Gibson Les Paul Guitars.

David found himself drawn to the dark, far corner of the room.  He pulled a Wine Red Studio model off the wall.  He asked what distinguishes this guitar from any other guitar.  Guitar tech extraordinaire Bryant “Pablo” Russell said “Gibson Les Paul guitars have a number of defining characteristics when compared to other electric guitars.  For example, the strings of the guitar are mounted on top of the body of the guitar, rather than through it.  The guitar is world famous for its signature sound, and although famous for playing classic rock, it has tonal qualities to match any musical genre.”

As David ran his fingers across the strings, Brian Harris spoke of the instrument like he was describing a work of art.  “It has unmatched natural sustain,” he said.  “The tuners are not flashy chrome but are exceptionally smooth and of high quality.  The bridge of the guitar is art through simplicity.  No goofy little knobs to adjust the fine tuning.  No need when the instrument is built so well.”

As the afternoon sun streaked across his Jeep window, David made his way onto the tollway road stealing glances at the new gig bag on the passenger seat.  Snug inside the bag was his ideal guitar.

- The Brehms Blogger
staffwriter@bluelogicentertainment.com

So you want to write a song with only one or two chords?  Is it possible?  The answer is definitely “Yes “- but it is not so easy as you might think.  You might think it would be easier to have fewer chords to deal with in a song, but therein lies the challenge.  The one-or two-chord song always runs the risk of harmonic monotony.  The ear of John Q. Public quickly grows weary of static material unless the song has a theme that mirrors such an impression, and then it might work.  The Beatles’ ‘Tomorrow Never Knows’ is essentially a one-chord song that wants you to experience psychedelic timelessness.  By Comparison, Sade’s “Paradise” is a two-chord song that works because of the hypnotic beat and sensual emotions evoked by the lyric.  The success of one- and two-chord songs depends a good deal on how they are performed, arranged, and recorded.

You are a musician, and you know chords in a song support and colour the melody (and the lyrics).  You also know when you play chords on various instruments, you generate harmony.  So now is a good time to decide what kind of song you want to write.  This may seem like a strange question to ask, but after all you are the songwriter, do you have a good idea of what kind of song you want to write?  Here are a few more questions, are you writing to please yourself, your band, or possibly your record label?  Unless your name is The Edge or Bono, you might take a moment to figure out answers to these questions and how they will affect the song about to be written.

I will expound on some tricks I know per the one- or two-chord song in the next installment.  Have your answers ready so we can get right to work.  As always you can contact me at:

-The Brehms Blogger
staffwriter@bluelogicentertainment.com